Tonalité : G major•
Verse 1
G
You know, I've been watching you from the wings,
and what did I tell you?
C
I know that you go very far,
D
why, you could really be a star,
If you'll just put yourself
G
in my hands.
What's the matter, Soph?
What's the matter?
Girls, you've been wonderful,
but you must be very tired.
D
Just minute, just a minute,
you may leave now,
you may leave now.
G
But Soph! You may leave.
Soph,
Soph, tell me, son, what's the idea?
D
Well, Jimmy Durante, I'm tired of you flaunting these
beautiful girls in front of my face.
G
D
I've watched you all during rehearsals
G
D
A
and I'm just tired of it, that's all.
Well, I didn't think you
D
cared.
Well, now you know it.
G
I tried to keep it a secret for years.
I'm sorry.
C
But don't be sorry.
D
G
I feel the same way about you.
C
Now the first time I went out with Lana,
boy, it was kicks.
And how Rita melted
G
A
when she saw my bag of tricks.
F
You all know about Margaret Truman,
C
A
Swanson and the rest.
G
D
They tried to break my heart,
but they wound up second best.
E
Why, the Marquis de Pillsbury
D
tried to get me in his clutches.
I'm glad I play the field,
G
for now I'd be some duke's
old duchess.
C
You know, if you travel long
D
enough on any road,
Edim
F#dim
B
you'll find it's true that somewhere
A
it has an ending.
D
G
And, Jimmy, my trail ends with you.
D
G
D
Why, you and me, yes, I agree.
G
C
A
Would you give up that millionaire oil man,
D
if I told you that you could have me?
G
If you're really sincere,
D
oh, my darling, my dear.
G
I'm as ready as I'll ever be.
Holy goodnight.
A
What about these cover girls
that you have around you?
D
Are you going to get rid of
them immediately?
Say the word
G
and you know all the others
A
must go
D
Cause I'm as ready as I'll ever be
C
When the loves of the century
F
are written
C
F
Jimmy, our names will be on top
D
Ah, come here, Sophie, please
Ah, don't tease
Oh, Jimmy,
after all these years
This is the first time you've ever kissed me
I wanted you to know
G
D
that you haven't lived in vain
G
C
A
Call Niagara and make reservations
D
Why, you're gorgeous, you're so heavenly
F
I love you, Jimmy D
F#dim
B
C
A
I love you, Sophie T
D
G
C
We're as ready as we'll ever be
Ebdim
Eb
Ab
An d I'm the last
F
of the Red Hot Mamas
Yeah!
Bb
Remember, darling,
Bbm
who will cool you down
D
A
Now, if you mean it,
Bb
what are you gonna do about it?
C
Well, what am I gonna do about it?
D
We'll form a merger. Yes.
Instead of a courtroom. What?
We'll use the Club Dur
G
ant. Wonderful.
D
And instead of a judge,
well, Mr. Eddie Jackson.
C
F
D
C
Bb
C
D
Oh, boy!
C
G
C
Hey, do you take this woman
G
for your red -hot mama?
A
D
I do, do, do, do, do, do, yeah!
G
And do you take this man
to be your red -hot papa?
C
I do, do, do, do, do, yeah!
E
And will you love him
when this man no longer
sings the blues?
D
Will you love him
C
when he's worn out
A
all his dancing shoes?
F
D
G
I love that man when he's down to
his last trombone
B
And maybe,
maybe we'll have a swing band all our own
E
C
And from now on at the Cover Girls
D
I'll never wink
C#
I'll cherish you till you're just
down to your last wink
D
And forever and forever
we will keep our love alive
Then I now pronounce you
G
Mr. and Mrs. Jive
C
Oh, Mr. and Mrs. Jive!
D
C
Mr. and Mrs. Jive!
D
C
D
Mr. and Mrs. Jive!
G
What's the matter?
We haven't gone on
our honeymoon yet,
and he's taken over the show!
G
That does it, that does it.
Come on,
C
A
let's get on with the celebration!
Yeah!
D
Send us presents immediately!
G
We're going steady!
D
Thank you, Eddie!
We're ready as we'll
G
C
ever be!
A
D
G
Congratulations, everybody!
You
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