Tonalité : G major•
Verse 1
G
You know, I've been watching you from the wings.
And what did I tell you?
D
G
C
I know that you go very far.
D
Why, you could really be a star.
G
If you'll just put yourself in my
G
What's the matter, Soph?
What's the matter?
Girls, you've been wonderful.
But you must be very tired.
D
Just a minute.
G
You may leave now.
D
You may leave now.
G
But Soph! You may leave.
Soph! Soph! Tell me, Soph.
What's the idea?
D
Well, Jimmy Durante, I'm tired of you flaunt
G
ing these beautiful girls in front of my face.
I've watched you
all during rehearsals
D
A
and I'm just tired of it, that's all.
D
Well, I didn't think you
cared.
Well, now you know it.
G
I tried to keep it a secret for years.
I'm sorry.
C
But don't be sorry.
Ab
I feel the same way about you.
G
C
Now the first time I went out with Lana,
boy, it was kicks.
And how Rita melted
A
when she saw my bag of tricks.
F
F#dim
You all know about Margaret Truman,
Am
Swanson,
A
and the rest.
G
They tried to break my heart,
D
but they wound up second best.
E
Why, the Marquis de Pillsbury
A
tried to get me in his clutches.
D
I'm glad I play the field,
G
for now I'd be some duke's
old duchess.
C
You know,
D
A
if you travel long enough on any road,
F#dim
B
you'll find it's true that some
A
where it has an ending.
Ddim
G
And, Jimmy, my trail ends with you.
D
G
Why, you and me, yes, I agree,
C
A
would you give up that millionaire oil man
D
if I told you that you could have me?
G
If you're really sincere,
C
D
oh, my darling, my dear,
G
I'm as ready as I'll ever be.
C
A
What about these cov
er girls
that you have around you?
D
Are you going to get rid of
them immediately?
G
Say the word and you know
Am
all the others must go
D
C
Cause I'm as ready as I'll ever be
When the loves of the century
F
are written
C
F
Jimmy, our names will be on top
D
Ah, come here, Sophie, please
Ah, don't tease
Bb
Oh, Jimmy, after all these years
D
This is the first time you've ever kissed me
G
D
I wanted you to know
G
that you haven't lived in vain
C
A
Call Niagara and make reservations
D
Why, you're gorgeous,
you're so heavenly
Dm
F
I love you, Jimmy D
F#dim
C
A
I love you, Sophie T
D
G
C
We're as ready as we'll ever be
Ebdim
Eb
Ab
An d I'm the last
F
of the Red Hot Mama
Bb
Yeah, the kind of daddy
Bbm
who will cool you down
D
A
Now, if you mean it,
Bb
what are you gonna do about it?
Well, what am I going to
C
do about it?
Ab
D
We'll form a merger. Yes.
Instead of a courtroom...
What? We'll use the Club Dur
G
ant. Wonderful!
D
And instead of a judge...
C
Ab
Well? Mr. Eddie Jackson! boy!
C
G
Yeah!
C
Yeah! do you take this woman
A
for your red -hot mama?
D
I do, do, do, do, do, do. Yeah!
G
And do you take this man
to be your red -hot papa?
C
G
C
I do, do, do, do, do, do.
E
Yeah, and will you love him
when this man no longer
sings the blues?
D
Will you love him
C
A
when he's worn out
all his dancing shoes?
C
Gm
I love that man
when he's down to his last
trombone.
Uh -huh.
B
And maybe,
maybe we'll have a swing band all our own.
C
And from now on at the Cover Girls,
A
I'll never weep.
C#
I'll cherish you till you're just
down to your last leap.
D
And forever and forever
we will keep our love alive.
Abdim
And I now pronounce you
G
Mr. and Mrs. Jive.
C
Oh, Mr. and Mrs. Johnson!
Ab
C
Mr. and Mrs. Johnson!
Ab
C
Mr. and Mrs. Johnson!
G
Bb
What's the matter?
D
We haven't gone on our honeymoon yet,
and he's taken over the show!
G
That does it, that does it.
C
Come on,
A
let's get on with the celebration!
D
A
Yeah, send us presents immediately!
G
We're going steady!
C
A
Thank you, Eddie!
D
G
C
We're ready as we'll ever be!
A
Congratulations, everybody!
D
G
C
D
Yes, Eddie, we're free!
C
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AccordeurE A D G B E
AccordsG D C A Ab...
Accords
G
D
C
A
Ab
F
F#dim
Am
E
B
Ddim
Bb
Dm
Ebdim
Eb
Bbm
Gm
C#
Abdim
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Capo: Pas de capo
Transposer: 0
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