Tonalité : A major
Verse 1
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C
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The night my baby left me
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I crossed the bridge to Juarez avenue
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Like that movie "Touch of evil" I got the Orson Wells,
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Marlene Dietrich blues
Where Orson walks in to
the whore house and
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Marlene says "Man, you look like hell"
And Orson's chewing on
a chocolate bar
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As the lights go on in the
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old Blue Star hotel
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"Read my fu ture" says old Orson,
"down inside the tea leaves of your cup"
Bm
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Am
And she says "You ain't
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got no future, Hank,
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I believe your future's
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all used up"
Verse 2
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[Chorus] Why don't you
touch me anymore? Why
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don't you touch me anymore?
D
Why do you run away and hide?
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You know it hurts me deep inside
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Why do you close the bedroom
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door? This is a brutal little war
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What good is all this fightin' for if
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you don't touch me anymore?
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Verse 3
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They shot "A touch of evil" in a Venice,
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California colony
And I grew near those dead canals
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Where they filmed the longest
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pan shot ever made
Now I'm thinking about the movie,
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the bar I'm in, the bridge, the Rio Grande
Now I'm thinking about my baby and the
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borderline 'tween a woman and a man
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I was drunk as Orson Wells the night
Bm
I crawled backwards out the door
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Am
I was screaming "Baby,
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baby how come you touch me anymore?"
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Interlude 1
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D
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Verse 4
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[Chorus] Oh,
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D
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someone rolled the credits
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on twenty years of love turned dark and raw
Not a technicolor love film,
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it's a brutal document, it's film noir
And it's all played out on a borderline
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and the actors are tragically miscast
Like a Mexican burlesque show where the
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characters are wearing comic masks
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Oh, it's love and love alone I cry to the
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barmen in this Juarez waterhole
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As we raise a glass to Orson and "A
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touch of evil" livin' our souls
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[Chorus]
Outro 1
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D
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