Tonalité : C major
Verse 1
C
We will translate, as we go along,
G
some of the more important fa cets
C
of this particular piece.
Before we begin,
I will tell you a little bit
of the story of the piece.
It was constructed from
an English text
which was translated into German,
G
and then the music was written
for the German pronunciation.
C
And the story is about how the
G
good lord has created a sofa,
his interest in home movies,
C
an d the relationship
between his girlfriend
G
E
C
G
C
and a hot magic pig.
G
F
G
C
F
C
G
F
G
C
Once upon a time,
F
G
F
G
way back a long time ago,
B
C
when the universe consisted of nothing
G
more elaborate than Mark Coleman.
F
Oh, thank you, Frank,
G
and hiya, friends.
C
Oh, what a life.
I mean to tell you,
G
everybody's always asking
me the same question.
F
G
Are you kidding?
C
I am not kidding.
I feel great today.
G
F
G
I am portly an d I am maroon.
C
How many people out
here in this audience
G
F
can guess what I am?
G
C
G
I'll give you some clues.
F
G
C
Clue number one, I am portly. Yeah.
G
Well then I'll give you clue number two.
Cm
Clue number two and very im portant,
C
I am double knit.
G
F
G
C
And clue number three
and I dedicate this especially
G
to all the girls in the audience.
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G
F
C
Ich bin Maroon.
G
F
G
C
Once upon a time, way back, long time ago,
G
C
when the universe consisted of nothing nothing more,
F
G
nothing less than Mark Bowman.
Thank you, Frank.
C
Trying to convince each and every
member of this audience
G
that he was nothing more, nothing less
F
G
than a fat marooned sofa
C
F
suspended in the midst of
a vast emptiness.
G
A
Will you please turn down the
monitors a little bit
F
G
so they don't ring up here
F
C
on the stage?
After the monitor,
G
ah, that's much better.
F
C
A light shined down from heaven.
G
And the voice of the Lord rang out,
A
F
G
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he was feeling really swift that day
G
and he was extremely taken
F
G
C
with the plump, succulent sofa.
G
And he figured if there's one
B
thing that this sofa needs,
C
it's a little moral support at Carnegie Hall.
G
So he turned in a Woodstock Nation
C
sort of gesture
to the far corners of the universe
G
F
G
and conjured up a celesti
C
F
al corps of engineers
C
G
and asked them to construct
F
something substantial
G
C
beneath the sofa.
G
And he did this with a little song.
It goes something like this.
C
G
F
G
C
Gib zu mir etwas Fußbodenbelag,
G
F
G
C
unter diesem
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F
G
C
G
C
fettenfließenden Sofa.
You got the words?
G
F
G
C
Gib zu mir et was Fußbodenbelag
G
F
G
C
unter diesem fettenfließenden Sofa.
G
F
Gib zu mir etwas
G
C
Fußbodenbelag
G
F
unter diesem fetten
G
C
fließenden Sofa.
And of course that means,
G
give un to me a bit of flooring
F
G
under this fat floating sofa.
C
And no shit, surprise, surprise,
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boards of oak
C
appeared throughout the emptiness
G
C
as far as vision permits,
stretching all the way from Petrona,
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California
C
to Lefrak City.
And the Lord put aside his huge cigar,
G
contemplated the substantiated sofa,
C
and decided that the next phase
G
of his universal operation
A
G
must of necessity include
F
a dramatic briefing
C
wherein he, the all -power
G
ful force of the sky,
C
would whip on the helpless little sofa
C
the morbid details of
their forthcoming relationship.
In other words,
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God was going to tell him where it was at,
C
G
F
just like a
And so he conjured up a
small electric clarinet
C
and played the intro to the hot number
C
wherein the facts were revealed.
And it went like this.
G
C
Ay -y i -yi -yi -yi -yi -yi -yi -yi -yi
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