Tonalité : C major
Intro 1
G
F
C
F
G
F
C
F
Am
F
G
Am
F
G
Verse 1
Am
Is it better
G
through the worst? Could it be worst in the better?
Am
F
And this scene is mediocre
Am
G
as all the fucking rest
Am
F
Is it a no- go and so- so,
G
above average and labor loaders
Am
F
Am
Come and show them all that,
G
that all you need to know is that
Verse 2
F
G
C
You don't have to know the meaning,
G
just show that there is meaning
F
In what is being said to you
C
G
You don't have to know
Interlude 1
F
Am
G
F
G
Am
G
F
G
Verse 3
Am
F
We've already said the tone,
G
has happened and some know
Am
F
Is it subject for discussing?
Am
G
Is it better left alone?
Am
F
Am
Should it be fixed or be
G
Am
nixed? Is it said or 86ed?
C
G
Is this a business? The one
Verse 4
that's being made is this
F
G
C
You don't have to know the meaning,
G
just show that there is meaning
F
In what is being said to you
C
G
You don't have to know
Interlude 2
F
C
G
F
C
G
F
Dm
G
Verse 5
F
The friendships in action,
Am
sat all through subtraction
G
Disturbing emetics, an up- chain reaction
F
Am
A monetary setback, a minor distraction
G
A milestone marker, a break in the action
F
Interlude 3
C
Am
F
G
F
C
G
F
G
Em
G
F
Em
Dm
Verse 6
Am
F
Your inner spirit's spell,
G
your side you'd like to tell
Am
F
G
How'd you let it go? Unless
you'd rather yell
Am
F
We'll dream you, and long you,
G
remember, we love you
Am
F
Am
We've got to go but you should now
G
that we'll being thinking of you
Verse 7
F
C
You don't have to know the meaning,
G
just show that there is meaning
F
In what is being said to you
C
G
F
You don't have to know
C
G
F
You don't have to know
C
G
F
You don't have to know
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