Tonalité : G major•
Intro 1
G
D
G
D
G
D
G
A
D
G
F
G
C
G
F#m
D
Em
G
F#m
D
F#m
A
G
D
G
F#m
G
F
G
F
G
When Cole Porter writes the words in music, they
Verse 1
Bb
stay written, and remembered,
and played.
C
A
Gm
C
F
Here's one in particular.
F#m
D
C
Bb
E
A
D
F
C
Am
F
Gm
G
C
Miss Otis regrets she's unable to lunch today,
F
ma 'am.
Maxwell, what did you say?
C
I said Miss Otis regrets she's
A
unable to lunch today.
Dm
G
And why can't she?
F#
Gm
She's sorry to be delayed.
C
F
But last evening down in
F#dim
C
F
Lover's Lane she strayed.
Bb
I don't know, madam,
F
but Miss Otis regrets
A
F#m
C
she's unable to lunch today.
G
Dm
G
Maxwell. Yes, madam.
Gm
What happened?
C
When she woke up and found
Gm
C
F
that her dream of love was gone, madam,
G
She ran to the man who led
A
Dm
her so far astray.
Gm
Silly girl.
And from under her velvet gown,
C
F
she drew a gun
D
and shot her lover down,
C
F
madam.
She should never wear velvet.
A
Nevertheless, Miss Otis re grets
F
Yes, she's unable to lunch.
C
G
Yes. Maxwell. Please don't snap,
F
All right. Thank you.
C
F
Were there any repercussions?
Gm
G
When the mob came
and got her
F
C
and dragged her from the jail,
Gm
madam.
The mob? The jail?
C
They strung her up on the
D
old willow
A
Dm
across the way.
G
Frightened, they messaged her.
C
Gm
And the moment before she died...
Died?
F
Gm
C
She lifted up her lovely head and cried.
Bb
What did she say?
A
Miss Otis regrets she's funny.
Gm
C
I'll be there
For those who may be familiar
E
with this annual onslaught of
ours
F
A
An evening with, another evening with
A
This is about the spot
Bb
where I go into nostalgia -ville
I mean, a sequence of
songs
I've been identified
Bb
with through the years.
People have kindly asked me
to do some more of these,
which we didn't have time for in previous evenings with, and I'm very happy to do that, but tonight,
Bb
Gm
F
first, I'd like to try a number I'm not identified with.
Gm
F
This one, simply because I like it so much,
Bb
another one of Cole Porter's.
Mrs. Lousborough
Db
Goodby gives weekends,
F#
Ab
and her weekends are not a success,
Db
Bbm
but she asks you so often,
Bb
F
Db
you finally soften and end
Eb
Gb
by answering yes.
Ab
Bbm
F
When I left Mr s. Lousborough Goodby's,
Ab
the letter I wrote was polite,
Bbm
but it would have been bliss
Ab
F
had I dared write her this,
Bb
the letter I wanted to write.
F
Gm
Thank you so much,
F
Mrs. Lousborough Goodby.
Bb
Cm
Thank you so much.
Eb
Gm
Thank you so much
F
Bb
Gm
for that infinite weekend with you.
F
Bb
Thank you a lot,
Gm
F
Mrs. Lousborough Goodby.
Gm
Thank you a lot.
Bb
A
F
And don't be surprised if you sud
Gm
C
F
Gm
denly should be quietly shocked.
F
Eb
F
For the clinging perfume
and that damp little room.
For those cocktails so hot
and the bath that was not.
Bb
Eb
for those guests so amusing
and mentally bracing
F
who talked about racing
and racing and racing.
For the taumain I got
Eb
Ab
from your famous pink salmon,
Eb
for the fortune I lost
Ab
when you taught me backgammon,
Db
for those mornings I spent
Eb
with your talkative mother,
F
D
and those evenings I passed
G
with that bounder,
your brother,
and for making me swear
to myself there and then
Cm
Bb
F
Never to go for a weekend again.
Bb
Gm
Thank you so much,
F
Mrs. Lousborough Goodby.
Gm
F
Bb
Thank you, thank you so much.
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AccordeurE A D G B E
AccordsG D A F C...
Accords
G
D
A
F
C
F#m
Em
Bb
Gm
E
Am
Dm
F#
F#dim
Db
Ab
Bbm
Eb
Gb
Cm
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