Tonalité : A major
Intro 1
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Verse 1
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How does she
deal with all that?
It seems like a lot of pressure to
F
put on another person.
I don't know, I guess I've
never been in your shoes.
G
And I don't, I'm wanting to understand,
F
but I can't.
The way I relate to relationships and women
G
is very different from your
relationship with her.
F
yet you made it public in interviews
or in sharing these songs with her
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that she knows what they're about
and much of it is focused on her.
F
Is that, I don't know,
is that worth talking about?
D
G
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Is that weird?
D
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F
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How does that make her, like,
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where is she when she looks back at you or she replies to
question of yours, you know,
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knowing that this guy is writing all these songs about her and
and their time together,
C
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their life together, it just seems to me that
her, she would have an interesting perspective
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on this whole thing.
D
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C
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You're in
England, for example, and he interviewed and somebody said,
you know, I read and he
C
F
talks about two of you can comment on that,
either from her mouth or your mouth, it's
G
going to come some new answer or some
F
answer that I'm looking for.
And it's like, I almost want to ask
D
G
C
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her that.
D
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C
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I look back in history and if somebody was
C
penning letters to some love of their life
F
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and making music to stay in prison or writing from the enemy line,
you know, in these love
C
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stories, here she is.
You're writing these songs to her,
D
G
C
F
D
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right in of her.
G
Are you and
Keeley planning on getting
married or kids?
C
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Is there that kind of conversation going on in addition to
D
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C
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D
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business and creative and music?
D
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You know, just from a personal standpoint,
I can never understand how people can put
C
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themselves in a role in which their day job or their
D
G
craft is being assessed or being critiqued
C
F
you know like I just from a personal you know from
where I sit there are articles written about
G
my day job in the newspaper all the time and
C
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it bugs me and it's just it's bizarre
it's appreciative or critical it doesn't even matter it's
D
G
just like it's weird and yet when
When you're a musician there's a whole press industry,
C
F
the whole publicity, I don't know, the whole
Bob
Wax of the world.
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It's fo cused on you and analyzing who your,
C
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you know, your sources of inspiration are.
Gm
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A
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Bm
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You're going to have to stomach a lot of that.
Cm
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Gm
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Bm
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Cm
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D
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Cm
Gm
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D
Bm
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D
Bm
Thank
You
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