Tonalité : Gb major
Verse 1
D
This is track 3
G
and it's called Saturday.
D
G
D
G
There's breakfast in the
D
F#m
morning time
Take a look around
D
G
and see what you wanna see
F#m
There's a train tonight,
D
we'll leave when you
G
D
wanna leave
Saturday, Saturday,
G
we'll make it all okay
D
Oh, oh, oh, oh, oh
Saturday, Saturday
G
We'll make it home, OK
D
Oh, oh, oh, oh, oh
Saturday, Saturday
G
We'll make it home, OK
Oh, oh, oh,
Yeah, it's Away From Here,
isn't it? I mean,
D
D
it's just a new take on Away From Here,
D
but it's kind of,
G
I think, a little bit more observational
than Away From Here.
Away From Here was about me
D
F#m
an d the job I was stuck in,
F#m
and this is about looking at
other people that are mates.
But there's also a massive
positive in it.
It's not as, away from here
was really desperate
and just wanting to escape.
And Saturday's actually embracing that,
okay, Monday to Friday,
G
you're somebody else, you're not you,
G
you're whatever you're being paid to be.
You're a salesman or whatever
it is that you do
and you're the character
that your boss wants you to be
and you put on a tie and a brave face
and you go and earn money
so that on Saturday,
You can go and be yourself
and indulge your own passions
and whether that's football or
music or doesn't matter
You know that that's that's your day
and it's when you can just
let loose and be you
and we had a gig last night
And it's just gone
Go mad to the songs
and it's all about big choruses
So like you saying as well, this is
I've got a solid mid late
and hasn't it as well
Which is something we maybe haven't
done before.
Yeah, there's no middle eights
on the first album.
We didn't believe in them
In fact, we weren't even aware of them.
I didn't know what a middle eight
was
Matt Terry kept mentioning it.
I knew what an after -eight was, know what
It tasty mint, but as for a middle -eight.
then, you know, this album,
it's kind of,
because we were able to relax,
because Joby, who recorded it,
just was doing such a good job,
it meant that we weren't
so worried
about the recording, the sounds.
And also, Joby's a superb songwriter,
and when you work with another superb
songwriter
who brings new stuff to the table,
Not just middle eights,
but whole sections just like
why don't you throw in an
instrumental section
between that verse
and that pre -chorus and you're like
Okay, and you do it
and it sounds amazing and stuff.
You wouldn't have thought of
and he takes you outside the box
So yeah, there's this kind of
there's been sort of evolutions
in terms of that,
but it's still
Always rooted in in the pop song.
You've got to be able to
sing along.
Otherwise, what's the point?
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AccordeurE A D G B E
AccordsD G F#m
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