Tonalité : A minor
Verse 1
G#m
Yo, I don't even know how
I'ma spit this shit.
I don't need - I don't know what
to tell
There's no fucking room.
E
Yo, I was actually thinking
all that stuff we recorded.
B
Yeah.
D#m
B
Like, we're gonna put it here.
E
So. Okay.
C#m
E
Instead of not having like an intro.
G#m
Right, right, we'll have those
words in it. what song.
E
It'll just go right up to
B
my verse and shit.
E
Alright.
B
Here goes nothing. Okay.
G#m
A real nightclub, a real good music.
B
E
B
Quite comfy, loud, dancey
D#m
It's the movement, I process along
B
Came out of thought to fill your mind
E
To make you sneak a slide
Rage or drink it, preach
the beat was rough
G#m
You heard the finished product,
but never the rough draft
E
Here it is, it lasts
We'll take you through
G#m
on how we make a jam
D#m
Sitting right in this
B
E
I know it sounds bad, but it lasts
C#m
Got replaced with
B
G#m
That line that ends with rough draft
I just put up to this
Not in my head, it sounded pretty bad
E
I just read it again
I make it show before
G#m
some lines I add
D#m
B
Grabbed the party hat, not yet
I need to hop in the booth
E
Take whatever makes it
That's used to fix the level
G#m
Tell you how it's meant, backups
Which one should I pick?
E
Quiet, comfy, loud, dancey
G#m
B
Sneak a slide, here it is
E
Here it lives, an idea you can grasp
C#m
You heard it all before,
B
but rarely heard the rough track
G#m
B
Take one, take two
G#m
E
B
Take one, take two
D#m
E
G#m
Take one, take two
B
E
G#m
Take one, take two
B
D#m
B
Take one, take two
G#m
E
B
Take one, take two
G#m
Ruff, I need a shave, draft,
D#m
pull me an other
E
Bumpin' that Zimbabwe,
G#m
B
legit brothers from the mother
D#m
B
Pop it out and throw in
E
the new demo we take
Eat some grapes and a grape,
grab the pen and a pape
G#m
Skim through, locate the heat,
B
G#m
then I put it on repeat
E
Get an idea, brewin' like some
G#m
B
barley hops and wheat
Refining it to twine,
E
till I come up with some lines
C#m
Run through em in my mind,
B
then I write down the design
G#m
Bout 8 bars in,
D#m
I start losin' some steam
E
Take it back to bar 4 and devise
G#m
a new scheme
D#m
When I was younger,
F#
had the everyday writin' routine
E
D#m
But now it's only when it's time
E
to step to bat for the team
G#m
We put in a lot of time
D#m
over here at Time Machine
E
To keep the product free of filler
B
and excessive yammies
D#m
Now me, I wear these lines
E
the only time you're supposed to laugh
So to keep it that way,
B
we stay with the rough drafts
G#m
B
E
Take one, take two, take one,
G#m
B
D#m
E
take two, take one, take two
D#m
So it's a new revolution
E
I would never want to share
G#m
Take one
B
Take two
D#m
E
Take one
G#m
Take two
B
D#m
Take one
B
G#m
Take two
C#m
Shit, shit
B
Let's go
G#m
Keep my socks breezy,
this summer I'll be drizzlin'
E
But in the end
I'm sure that you won't mind
if I don't drizzlin'
D#m
B
Keep my socks breezy,
E
G#m
this summer I'll be drizzlin'
C#m
But in the end I'm sure that
E
you won't mind
if I don't drizzlin'
G#m
Keep my socks breezy,
this summer I'll be drizzlin'
E
But in the end
I'm sure that you won't mind
if I don't drizzlin'
D#m
Keep my socks breezy,
E
G#m
this summer I'll be drizzlin'
E
But in the end
B
G#m
I'm that you won't mind if I drizzlin'
E
G#m
O teu mole tem na lapinha
D#m
B
E
C#m
E
Cão sacudou, te palitou, fatinha
G#m
E
G#m
O teu mole tem na lapinha
D#m
B
E
C#m
B
Cão sacudou, te palitou, fatinha
G#m
E
G#m
O teu mole tem na lapinha
D#m
B
E
C#m
E
Cão sacudou, te palitou, fatinha
G#m
E
G#m
O teu mole me tem na lapinha
D#m
E
C#m
E
B
Com sa coroa de paletou o fatinha
G#m
E
O teu mole me tem na lapinha
D#m
B
G#m
C#m
E
Com sa coroa de paletou o fatinha
G#m
E
O teu mole me tem na lapinha
B
E
B
Can't stop, can't can't stop
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