Tonalité : A minor
Verse 1
Am
Yo, I don't even know how
I'ma spit this shit.
I don't need - I don't know what
to tell
There's no fucking room.
F
Yo, I was actually thinking
all that stuff we recorded.
C
Yeah.
Em
C
Like, we're gonna put it here.
F
So. Okay.
Dm
F
Instead of not having like an intro.
Am
Right, right, we'll have those
words in it. what song.
F
It'll just go right up to
C
my verse and shit.
F
Alright.
C
Here goes nothing. Okay.
Am
A real nightclub, a real good music.
C
F
C
Quite comfy, loud, dancey
Em
It's the movement, I process along
C
Came out of thought to fill your mind
F
To make you sneak a slide
Rage or drink it, preach
the beat was rough
Am
You heard the finished product,
but never the rough draft
F
Here it is, it lasts
We'll take you through
Am
on how we make a jam
Em
Sitting right in this
C
F
I know it sounds bad, but it lasts
Dm
Got replaced with
C
Am
That line that ends with rough draft
I just put up to this
Not in my head, it sounded pretty bad
F
I just read it again
I make it show before
Am
some lines I add
Em
C
Grabbed the party hat, not yet
I need to hop in the booth
F
Take whatever makes it
That's used to fix the level
Am
Tell you how it's meant, backups
Which one should I pick?
F
Quiet, comfy, loud, dancey
Am
C
Sneak a slide, here it is
F
Here it lives, an idea you can grasp
Dm
You heard it all before,
C
but rarely heard the rough track
Am
C
Take one, take two
Am
F
C
Take one, take two
Em
F
Am
Take one, take two
C
F
Am
Take one, take two
C
Em
C
Take one, take two
Am
F
C
Take one, take two
Am
Ruff, I need a shave, draft,
Em
pull me an other
F
Bumpin' that Zimbabwe,
Am
C
legit brothers from the mother
Em
C
Pop it out and throw in
F
the new demo we take
Eat some grapes and a grape,
grab the pen and a pape
Am
Skim through, locate the heat,
C
Am
then I put it on repeat
F
Get an idea, brewin' like some
Am
C
barley hops and wheat
Refining it to twine,
F
till I come up with some lines
Dm
Run through em in my mind,
C
then I write down the design
Am
Bout 8 bars in,
Em
I start losin' some steam
F
Take it back to bar 4 and devise
Am
a new scheme
Em
When I was younger,
G
had the everyday writin' routine
F
Em
But now it's only when it's time
F
to step to bat for the team
Am
We put in a lot of time
Em
over here at Time Machine
F
To keep the product free of filler
C
and excessive yammies
Em
Now me, I wear these lines
F
the only time you're supposed to laugh
So to keep it that way,
C
we stay with the rough drafts
Am
C
F
Take one, take two, take one,
Am
C
Em
F
take two, take one, take two
Em
So it's a new revolution
F
I would never want to share
Am
Take one
C
Take two
Em
F
Take one
Am
Take two
C
Em
Take one
C
Am
Take two
Dm
Shit, shit
C
Let's go
Am
Keep my socks breezy,
this summer I'll be drizzlin'
F
But in the end
I'm sure that you won't mind
if I don't drizzlin'
Em
C
Keep my socks breezy,
F
Am
this summer I'll be drizzlin'
Dm
But in the end I'm sure that
F
you won't mind
if I don't drizzlin'
Am
Keep my socks breezy,
this summer I'll be drizzlin'
F
But in the end
I'm sure that you won't mind
if I don't drizzlin'
Em
Keep my socks breezy,
F
Am
this summer I'll be drizzlin'
F
But in the end
C
Am
I'm that you won't mind if I drizzlin'
F
Am
O teu mole tem na lapinha
Em
C
F
Dm
F
Cão sacudou, te palitou, fatinha
Am
F
Am
O teu mole tem na lapinha
Em
C
F
Dm
C
Cão sacudou, te palitou, fatinha
Am
F
Am
O teu mole tem na lapinha
Em
C
F
Dm
F
Cão sacudou, te palitou, fatinha
Am
F
Am
O teu mole me tem na lapinha
Em
F
Dm
F
C
Com sa coroa de paletou o fatinha
Am
F
O teu mole me tem na lapinha
Em
C
Am
Dm
F
Com sa coroa de paletou o fatinha
Am
F
O teu mole me tem na lapinha
C
F
C
Can't stop, can't can't stop
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