Tonalité : F major•
Verse 1
F
20 years ago,
Soundclash used to be a big sport
where thousands of people
would gather in Jamaica and England
to listen to Soundclash.
You know why it was a big sport?
C
F
Because there was no disrespect.
Once, there was a reference
made to Ja Shaka from Fat Man
and that alone,
because it was a personal reference,
caused all kinds of problems
in the business.
Because at that time,
no one ever disrespected anyone.
It was about the music.
Now if you listen to Soundclash
on a cassette,
you listen to World Clash
and Ray Ray,
Db
F
the most appalling things are said
from one man to another,
C
F
to the point where you can't be lieve
that the music we call reggae,
which is the original sufferer's music,
original protest music
B
where the CIA want to kill Bob
F
Marley and pressure the music,
and the music was so great and so righteous
and so conscious and so honorable
has now gone into the gutter
where you talk about suck this
C
and suck that
Db
and you're rare
C
and you're batty man and pussy
F
all that and all that.
You can't believe
it's really come down to that in Clash but it has
and I hope this cassette reaches the streets
and I hope the people of Bristol
and England and America
hear this cassette
C
F
because three sound play tonight
and at no time did we ever to
disrespect each other.
We played music that was honorable,
that was uplifting.
Music that was about consciousness
and cultural reality.
Because the ray, ray, ray.
Know better, do better.
Good, better, best.
The way certain sounds like Targuano,
they don't uplift no one.
They wanna kill, cramp, and paralyze.
Cramp in a barrel.
We can't take it.
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AccordeurE A D G B E
AccordsF C Db B
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