Tonalité : E major
Intro 1
F
G
Abdim
G
D
F#
D
G
F#
G
D
G
F#
G
Verse 1
D
I
G
love a good bum on a woman, it makes my day.
D
G
To me it is palpable proof of God's existence,
a posteriori.
F
E
Am
Also I love breasts and arms and ankles,
elbows, knees;
D
It's the tongue, the tongue,
G
the tongue on a woman that spoils the job for me.
D
Please understand I respect
G
and admire the frailer sex
D
And I honour them every bit
G
as much as the next misogynist.
F
E
But give some women the ghost of
Am
a chance to talk and thereupon
D
G
D
G
They go on again, on again, on again, on again, on again,
Abdim
on again, on.
F#dim
D
F
Dm
G
Verse 2
F#
G
D
I fell in love with a woman with wonderful
G
thighs and hips
D
And a sensational belly. I just never
G
noticed her lips were always moving.
F
E
Only when we got to the altar and
Am
she had to say "I do"
D
G
And she folded her arms and gathered
herself and took in a breath and I knew
D
She could have gone on again, on again,
G
on again till the entire
D
Congregation passed out and the vicar passed
G
on and the choirboys passed through puberty.
F
E
At the reception I gloomily noted
Am
her family's jubilant mood,
D
G
Their maniacal laughter and their ghastly
Interlude 1
gratitude.
G
Abdim
F#
F#dim
D
Dm
G
F#
Verse 3
G
D
She talks to me when I go for
G
a shave or a sleep or a swim.
D
She talks to me on a Sunday when I go singing
G
hymns and drinking heavily.
F
E
When I go mending my chimney
Am
pot she's down there in the street,
D
And at ninety- five on my motorbike she's
G
on the pillion seat
D
Wittering on again, on again,
G
on and again and again.
D
When I'm eating or drinking or reading or thinking
G
or when I'm saying my rosary.
F
E
Am
She will never stop talking to me; she
is one of those women who
D
G
Will never use three or four words when a couple of thousand
will easily do!
Abdim
F#dim
G
F#dim
Abdim
G
D
G
Verse 4
F#
G
D
She also talks without stopping to me in
G
our bed of a night;
D
Throughout the sweetest of our intimate
G
delights she never gives over.
F
Am
Not even stopping while we go hammer
and tongs towards the peak -
D
G
Except maybe for a sigh and a groan
and one perfunctory shriek.
D
Then she goes on again, on again,
G
on again on and I must
D
Assume that she has never noticed
G
that she's just been interrupted.
F
E
Totally unruffled she is, and
Am
as far as I can see
D
G
I might just as well have been posting a letter or stirring up the
Abdim
tea!
G
F#
F#dim
G
F#
F#aug
D
Dm
G
Verse 5
F#
G
D
She will not take a hint,
G
not once she's made a start.
D
I can yawn or belch or bleed or faint or
G
fart - she'll not drop a syllable.
F
Am
I could stand in front of her grimly
sharpening up an axe,
D
I could sprinkle her with paraffin,
G
and ask her for a match -
D
She'd just go on again, on again,
G
on again even more.
D
The hind leg of a donkey is peanuts for her,
G
she can bore the balls off a buffalo.
F
E
"Mother of God," I cried one day,
Am
"Oh, let your kingdom come
D
G
"And in the meantime, Mother,
Abdim
G
could you strike this bugger dumb?"
F
G
F#
Daug
D
G
Verse 6
F#
G
D
Well, believe it or not, she appeared to
G
me then and there:
D
G
The Blessed Virgin herself, in answer to my prayer,
despite the vulgarity,
F
Shimmering softly,
E
Am
dressed in blue and holding up a hand.
D
G
I cocked a pious ear as the Mother
of God began.
D
Well she went on again, on again,
G
on again, on, and I
D
Will have to state how very much I sympath
G
ise with the rest of the family.
F
Give some women the ghost of a
E
Am
chance to talk and thereupon
D
They go on again, on again,
G
D
G
on again, on again,
D
G
And again, and again, and again,
D
and again
G
They will go on again, on again, on again,
G
on again, on again, on again, on.
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AccordeurE A D G B E
AccordsF G Abdim D F#...
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