Tonalité : D# minor
Intro 1
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C
Am
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C
Am
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Will she
Verse 1
Am
walk through the street,
G
C
feeling part of the crowd?
Am
Though she knew at night
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she'd sleep alone
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Am
She used to say the
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C
universe will provide
F
But that's one hell of a space
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G
Am
to call a home
G
C
Am
An d I still think of her
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C
on cold, gray mornings
Am
When I'm drinkin' in
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C
the Royal Exchange
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G
C
With old Irishmen who live in one
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C
G
Am
And dream of horses on the range
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F
It's your life,
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F
C
you're making tracks
F
Bb
F
But I can't be there
C
If you change your mind
G
C
And come on back
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C
Come on back
Am
G
C
Well I rubbed my face as the day wore on
Am
I walked through back streets
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C
G
C
to the black man bar
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G
Thought about my dear old friend
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F
Noel Harry brought me here
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G
C
to say goodbye
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C
That splendid man they
G
Am
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C
left to die
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G
C
And I cut my hand on an old, story
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G
C
As I turned the page to see who died
Am
G
C
I saw the salt pouring into the wound
F
C
G
Of little boys who
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G
C
couldn't cry
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It's your life,
C
F
C
you're making tracks,
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Bb
F
but I can't be there
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if you change your mind
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C
G
C
and come on back, come on back
Am
There's a shoreline where
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old men work hard
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G
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They can't afford life's easy tears
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They work from memory
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with their hands
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C
G
Faces wet with rooting fear
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G
C
Am
An d it's a long
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C
way to the ocean floor
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G
C
And the golden harp is sinking slowly
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G
C
Trumpet sound in a humble portrait
F
C
The sound turning slowly in the
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Am
G
C
salty floor
It's alright,
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C
you're making a change
F
Bb
F
But I can be there
C
If you change your mind
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C
and come on back
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C
Come on back
Am
I spent a month alone
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in the underground
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G
C
In Marlapone Station in London Town
Am
Two policemen stopped
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C
and asked if I was okay
F
C
I said, I'm working on my philo
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Am
G
C
sophy
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And in April time,
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C
when the bluebells call,
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G
C
To country lanes that I have known,
Am
G
C
I see children swimming in an English room
F
In the summer heat,
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G
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G
C
they splash and shower
F
It's your life,
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F
C
you're making tracks,
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Bb
F
but I can't be there
If you change your mind
C
G
C
G
C
and come back, and come back
Am
G
And I dedicate this song to the hour
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Am
G
C
When the power of roses lived in me
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G
C
With the thorn and with the petal
F
C
G
And with surrender to the
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G
C
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honeybee
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The other guinea hen
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died of a broken heart
and we came to New York.
I used to sit at a table drawing wings
with a pencil that kept breaking,
and I kept remembering
F
how your mind looked
when it slept for several years,
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G
to wake up asking why.
C
So then you turned into a photograph
F
of somebody who's trying not to laugh,
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and somebody who's trying not
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to cry.
you
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