Tonalité : G major
Intro 1
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Verse 1
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When you're
lost in the rain in
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Juarez and it's
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C
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Easter time too
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Don't put on any airs when you're down
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out of room or you have a news
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They got some hungry women there who
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really make a wreck out of you
Now if you see
St.
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G
Annie, please tell her thanks a lot
C
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I cannot move, my fingers are all in a knot
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I don't have the strength to get
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up and take another shot
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But my best friend, my doc,
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he won't even tell me what it is I've got
Sweet
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Melinda, the peasants call
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her the goddess of blues
She speaks good
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English and invites you up into her room
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But you're so kind,
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and careful not to go to her too soon
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But she takes your voice,
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C
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and leaves you howlin' at the moon
Up on
High
House at
Project
C
G
Hill, you'll see the fortune of fame
You must pick one or the other,
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G
because neither of them is to be what they claim
F
C
And if you're looking to get silly, oh,
G
you better go back to from where you came
D
Because the cops don't need you,
C
G
and men, they expect the same
Now all the authorities,
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G
they just stand around and boast
About how they blackmailed the sergeant
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G
-at -arms into leaving his post
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And picking up angels who just
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arrived here from the coast
D
C
G
C
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Who looked so fine at first, but who left looking just like a ghost
Interlude 1
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D
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Verse 2
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I started on burgundy and soon hit
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G
the hardest stuff
Everybody said then,
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G
C
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stick around me when the game got rough
F
C
But the joke was on me,
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there's no one even left for me to bluff
D
I'm going back to
New
York
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City, I do believe I've
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C
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had enough
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I'm going back to
New
York
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City, I don't believe I've
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C
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had enough
D
I'm going back to
New
York
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City, I don't believe I've had
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enough
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You
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