Tonalité : C major
Verse 1
C
Do you still play the saxophone?
Am
Affirmative. Delicious.
Are you ready to be sedapted?
F
Are you ready to be romanced?
I think they are our own.
Em
Oh, they are?
Well, you know what?
C
In that case...
She was working as a clerk
Bb
C
in a synthesizer store
When he met her
She asked if she could stay the night,
Bb
C
her flat was undergoing small repairs
Bb
C
So he let her
Bb
They had such common interests,
C
Bb
cos they sang for different bands
C
She asked if he was ready
for a touch of small romance
But then he had to stop it all
and make a sacred vow
To forget her
Am
Girl, you know I still want you
F
But the danger zone,
we must treat alone tonight
Em
C
I was working as a clerk
Bb
in a synthesizer store
C
G
When I saw her,
C
Bb
I had some trepidation
C
Bb
C
And for I was old enough to be
A father
Bb
She was handsome, I mean pretty
C
Bb
She was tall, I mean short
C
She had a protruding Adam's apple
I mean boy and boobs of course
Bb
It got all hot and heavy
C
Bb
And she talked me to the curb
C
Without a bother
Am
Oh, you know I still want you
F
I need you so,
Em
G
take me back around tonight
C
This is going rather swimmingly
Em
C
Remember when we'd play this live?
G
Em
C
Oh yes, we'd pull a girl up
out of the audience
and rap to her
Em
C
And then you would ignore her
G
C
Em
I only did that because you would
C
Em
That must have been awkward
C
for the girl in retrospect.
G
Em
Am
You tossed me out
of our hideaway
C
G
without a sad goodbye.
Em
C
If you had looked upon my face,
Em
C
a tear was in my eye.
Am
If I had seen that stupid tear,
G
I might have stayed for life.
C
And that is why I turned away
Em
and went back to my wife.
Am
Don't, don't, don't walk away
C
Em
without telling me how you feel.
C
Leaving me like a nuclear baby
born in Chernobyl.
Let's set aside our differences
Am
C
and forge a small detente
Am
As long as you will always know
G
that it is you I want
Am
C
As soon as you around,
Am
you know I still want you
F
I'll leave my wife
Em
and we'll make a life for two
C
Just me and you it's on the floor
Am
i know i still want you
you know i've gotta write this to me
F
you know i feel i'm always
sexual enough
Em
C
Em
C
i'm not always sexual enough
i'm not always sexual enough
Am
F
Em
i'm not i'm not
Where my sex can fail
C
I'm such a faggot
Am
All my affection was committed to me
F
Ah, I'd like to dedicate that song
Em
to my wife, Marjorie
Goddammit!
Am
G
This isn't over, R .O.
And don't come poppin'
Am
by Studio 4
to see me and Lamar either
I'm leaving Slam!
That's the sound your door makes
when I'm leaving
You
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