Tonalité : C major
Intro 1
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C
G
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C
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Am
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G
F
C
Verse 1
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This time
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F
last year the day that it started.
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G
She spoke of love and how in prac
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tice it cannot be applied.
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G
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About the crisis of the housing market,
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G
Sat up lovely in her second home
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in the Scottish countryside.
C
We went out to meal,
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F
and she ordered lobster thermidor.
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G
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Broke me down with words about how
much hates a troubadour.
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G
After vi olating the staff,
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she paid and said why can’t you understand?
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G
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With every piece of hate I spread,
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they pay me 20grand.
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I fell in love with a talking
Verse 2
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C
head.
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C
Tried not to listen but she made me.
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Am
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I fell in love with a talking head, said,
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F
G
‘Y ou’ll either love me or hate me’.
C
She did
Verse 3
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F
a tasteful bit of investigative journalism,
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About the stupidest family in Britain.
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G
She interviewed the dad
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for 60 seconds,
Then she scribbled down
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G
F
her genius all in one sitting.
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G
But she was cool, because she didn’t care,
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and she said what she liked,
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It was apparent that she didn’t like a thing,
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not even me.
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She said, ‘I’m professionally
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sesquipedalian’.
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F
Or whatever, whatever, whatever that means.
Verse 4
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G
F
C
I fell in love with a talking head.
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F
C
Tried not to listen but she made me.
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Am
Fell in love with a talking head,
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said,
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‘You’ll either love me or
F
hate me’.
Verse 5
C
Isn’t it fitting that I
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F
Am
Hate you now,
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G
F
C
I hate you now.
Verse 6
Am
She couldn’t stop her talking,
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And her talking got me drinking.
Am
In the pleasant arms of alcohol,
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the spirits got me thinking,
Am
Our love is far too hateful,
E
Her genius grows distant,
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And the world would sure be grateful
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If I ended its existence.
Am
G
So I took us in a car,
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and the cliffs were where it led,
Now I’m staring at the headstone
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of the loveliest of talking heads.
G
I fell in love with a talking
Verse 7
F
C
head.
G
F
C
Tried not to listen but she made me.
G
Am
Fell in love with a talking head,
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said,
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F
‘You’ll either love me or hate me’.
Verse 8
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G
F
Am
Why do I love you now?
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G
F
C
I love you now.
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Am
I love you now.
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C
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C
I love you now.
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