Tonalité : Gb major
Verse 1
Alright?
D
Here go.
One, two, one, two, three,
four.
Bm
D
Bm
D
A
Verse 2
D
Back in sixty -three I
was eighteen years old
Hoping to become a rock and roll star
Bm
D
G
Looking for pay dirt, celebrity gold
A
D
To become an idol with or without guitar
G
A
I knew I could go far
D
The finest producer in the whole UK
He was gifted and confused
G
and bright and gay
A
D
He was the man I'd seek,
G
A
D
I reckoned he'd give me a hit in a week
He wrote and produced Telstar, you see,
and the honeycombs, have I the right?
And Leighton's Johnny,
G
remember me?
A
D
And made Heinz a star overnight,
G
A
D
surely he could do the same for me
His studio was in North London land,
three flights of stairs dark and gloomy
I'd be warned about his
G
wandering hands
A
D
He was awfully decent to me
Really didn't want to screw me
C
D
C
He loved Barry and Holly
D
C
His sound was weird,
D
C
compressed and muddy
D
C
With echo it sounded like
D
C
a madman's folly
D
C
D
He said he thought I looked like Buddy
He put an old mic
wrapped in foam on the boards
To give him a thudding
that moved him more
G
He did all this to the tune and the chords
A
He stood in the bath
D
and he stamped on the floor
G
A
He stood in the bath
D
and he stamped on the floor
They never came out or
turned into smaches
But joy declined and his
story turned saddened
G
His life at times became ashes
A
and he went slowly
D
G
A
Madder and madder, a tragic end
D
Sadder and madder,
he shot his landlady and then himself
And died a bankrupt, lonely guy
Bm
D
G
My fading tape fell apart on his shelf
A
D
Bm
I've nothing to remember him by
G
A
D
But his magic music still gets me high
This song is for the big man Joe
A producer I was proud to know
G
Knocked over by a moral blow
A
But he was a major part
D
of our music show
C
He stood in the path
D
and he stabbed on the floor
C
D
C
He stood in the path
D
C
and he stabbed on the floor
D
C
He stood in the path
D
C
and he stabbed on the floor
D
C
D
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AccordeurE A D G B E
AccordsD Bm A G C
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