Tonalité : G major
Intro 1
G
Am
C
D
G
Am
C
D
G
Verse 1
G
I was painting a still life this morning
Am
Of a throat loz enge sitting
on a copy of Tropic of Cancer
C
The only thing weird about
D
it is that a year ago
G
I never thought I'd paint anything again
I decided I wasn't ever gonna paint again
Am
It didn't bother me too much,
Warhol's dead
C
David Hockney's still alive,
D
G
I don't need to paint
Verse 2
G
I painted over ten thousand paintings
Am
Sad ones, funny ones,
dark ones and light ones
C
I've done haystacks and rich
D
old ladies by their pools
G
Wearing nothing but a scarf
I've painted everything
there was to paint
Am
Now it was time to sit back,
give interviews
C
Get on the internet, hang
out at club med
D
G
Take stock of what I've done
Verse 3
G
You know, the best friend
I ever had was a dog
Am
It sounds like a cliche unless it's
happened to you
C
Some days that dog was the only
D
G
reason I even got out of bed
That dog went everywhere with me and then
I heard the crack addicts
Am
Were stealin' dogs and selling
them for animal research
C
D
It sounded like an urban myth to me like the
mouse in the Coke bottle
G
But I started leavin'
her at home after that
Verse 4
G
You know, Paula was my
wife for a while
Am
She ran off to Paris with the
great grandson of Van Gogh
C
D
A cartoonist who did fashion
G
graphics for Le Monde
When Paula left she took my dog,
Am
I never saw her again
Except in the court during the
custody battle
C
She won and got to keep the dog
D
And I didn't speak to any
G
one for months
Verse 5
G
You know sometimes it feels
Bm
Like there's so much
that you need
C
Bm
Sometimes the world is
G
upside down
Sometimes it seems like the
Bm
only thing you need
C
Bm
Is holdin' someone's hand as
Bb
you walk through town
C
G
Verse 6
G
I started hanging around with Dino
He used to run a poker
Am
game back east
Now he has a little coffee shop,
C
sells cappuccino to his old pals
D
G
Tommy, Chicago and Jimmy
the Wig and Ugly Rose
Verse 7
G
You know the best person I ever knew
Was a Mormon woman named Estelle
Am
She still calls me drunk every few months
C
And asks me stuff I
D
don't want to talk about
G
You can't talk to her long unless
you're drunk yourself
Then we go all night
Am
C
D
Verse 8
G
Yeah she goes, "Why baby,
why baby, why baby, why
Am
Have you turned your back on love?
C
You had so many chances
D
G
Why have you let 'em all go by?"
Verse 9
G
Well, one morning I was sitting out in
front of Dino's place
Am
With Jake the Shears,
a guy from Philly who gives free mohawks
C
There were a couple of young painters,
D
I was hopin' to come by
G
So I could give 'em some advice
Verse 10
G
Yeah, I was sittin' there
updating my list of enemies
Am
When this girl walks in and
the universe kind of stops
C
Turned out she drank
D
the same tea as me
G
Don't take more than that to start
a conversation sometimes
She believed collage was the greatest
of all the arts
Am
And was busy pasting pictures of horses,
C
next to ads for laundry soap
D
Next to Mohammed Ali,
G
she had a turquoise in her ear
And said Rachmaninoff was
always in her head
Verse 11
Am
But later that day I was trying to describe her
to Jimmy the Wig
C
D
I couldn't find any words and I realized
G
I'd started to sketch her chin
Somehow it didn't look right,
Am
I scratched it out and tried it again
C
D
I filled an entire pad, I threw it away,
G
I never even came close
Verse 12
G
For a six days I sat at Dino's place
Am
The rain wouldn't quit and
no one came in
C
Finally on the seventh day it
D
G
cleared and in she walked
I asked her to sit with me and
I bought her a cup of tea
Am
And I asked her to model for
me sometime
C
That afternoon I was at a canvas
D
She was wearing a yellow dress
G
I swore if she let me, I'd get it right
Verse 13
G
I've painted over ten
thousand paintings
Am
Sad ones, funny ones,
dark ones, and light ones
C
But sitting there,
D
G
it was like I couldn't even write my own name
I apologized and said, "It's
been a few months
If you have patience,
Am
I'll get the hang of it again"
C
In the next few weeks,
D
G
I painted her hundreds of times
If I get the nose right, the chin's too long
Am
If I get 'em both right, the face is too thin
C
D
But I keep after it and one day I, I'll get
G
it all right
Interlude 1
G
Am
C
D
G
Am
C
D
G
Verse 14
G
I painted a still life this morning,
Am
of a throat lozenge
Sitting on a copy of Tropic of Cancer
C
D
The only thing was funny is that
G
I never thought I'd paint anything again
I think I might go visit Estelle
Those Utah mountain
Am
s are good for the soul
C
I'll bring my brushes and some Jack Daniels
D
G
And we can make up for lost time
Verse 15
G
And she said, "Why baby,
why baby, why baby why?
Am
Baby why have you turned
your back on love
C
You had so many chances
D
Why have you let 'em all
G
go by?"
Verse 16
G
And she says, "Why baby,
why baby, why baby why?
Am
Baby why have you turned
your back on love
C
You had so many chances
D
G
Why have you let 'em all go by?"
Verse 17
G
Bm
Sometimes it seems like there's so
much that you need
C
D
Sometimes the world is
G
upside down
Sometimes it seems like the
Bm
only thing you need
C
Bm
Bb
Is holdin' someone's hand as you walk through town
Outro 1
C
G
Am
C
D
G
Am
C
D
G
Am
C
D
G
Am
C
D
G
Am
As-tu aimé la chanson ?
AccordeurE A D G B E
AccordsG Am C D Bm...
Plus de chansons de Dan Bern
Découvrez des accords pour jouer plus de chansons
Accords populaires dans le monde entier
Accords et tablatures les plus joués par tous les utilisateurs
Ajout récent
Accords et tablatures récents
