Tonalité : E major
Verse 1
D
C
Am
A
G
D
G
D
G
A
G
You better come on
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In my kitchen
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A
G
D
A
It's going to be raining
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D
C
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D
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outdoors
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D
G
D
Like anyone for whom
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the road becomes home,
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G
Peter Goronik points out,
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Robert Johnson established
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safe harbors
everywhere he went,
links within the community
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which he could put down an
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D
d pick up again
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A
when he returned in a month or a year.
G
C
In Helena, he established a relationship
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G
with Robert Lockwood's mother,
A
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probably 15 years older than he,
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which was evidently as stable
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G
over a long period of time
D
as any on which he embarked.
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There was also Raoul Walter Horton's
And in West Memphis,
Johnson and Johnny Shine's
D
cousin, Kevin Fraser,
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stayed at the Hunt Hotel
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A
where Robert took up with
a female midget
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D
G
who ran errands for the three blues men.
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In Friars Point,
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there was a runty little girl named Betty.
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D
In every town in which they stopped,
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A
there was someone to take care
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of
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Johnson, a woman,
not necessarily a glamour girl,
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G
D
but someone who would look after him.
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D
A
Better come on in my kitchen,
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A
it's going to be raining our
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G
D
Asus4
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dogs.
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Women to Robert,
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Johnny Shines has written,
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G
D
were like motel or hotel rooms,
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even if he used them repeatedly.
He left them where he found
them.
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Heaven helped him.
He was not discriminated.
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D
A
Probably a lot like Christ.
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He loved them all.
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He preferred older women in their 30s
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over the younger ones
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be cause the older ones would pay
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his way.
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D
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Mack McCormick discovered at least half a dozen
Bm
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G
women involved in two - three -week relationships
in the eight years following his first
D
wife's death.
G
By McCormick's account,
they were shy young girls
A
for the most part.
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Similar to the older women
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whom Shines describes,
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in one respect they provided
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food and shelter
We're a footloose musician
and we're not considered
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the most desirable or attractive
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A
D
catches in the community.
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D
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You better come on in my kitchen.
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It's going to be raining
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G
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outdoors.
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B
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Johnson had a very un usual reputation.
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He was not crude, but he was direct.
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He would simply ask them,
Can I go home with you?
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Can I be with you?
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D
These were young girls
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living with their families
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in a rural situation
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and for the most part their
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answer was yes.
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The relationship ended when
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their husband came home,
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or her Johnson moved on.
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D
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D
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A
G
You'd come on, in my kitchen.
D
A
It's going to be rainin' outside.
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C
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D
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Asus4
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Women
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Bm
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with whom he stayed
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D
de scribed to Mac McCormick how they would wake up in
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the middle of the night to discover him fingering the guitar strings
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almost soundlessly
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D
A
at the window by the light of the moon.
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He was a guy, Johnny Shine said,
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that could find a way to make a song
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C
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D
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A
sound good with a slide,
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D
regardless of its contents
or nature.
His guitars seemed to talk, repeat,
and say words with them
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like no one else in the world could.
D
The sound affected most women
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D
in a way that I could never understand.
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One time, in St. Louis,
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we were playing one of the songs
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that Robert liked to play with
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someone once in a great while.
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Come on in my kitchen.
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He was playing very slow
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and passionately.
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And when we had quit,
I noticed no one was saying anything.
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And I realized they were crying,
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both women and men.
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Asus4
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You better come on in my kitchen.
D
A
D
It's going to be raining outdoors
G
D
A
D
G
A
You better come on in my kitchen
D
G
A
It's going to be raining outdoors
D
C
G
D
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