Tonalité : Db major
Intro 1
C
Am
Dm
G
F
C
G
Dm
G
Every time we have
Verse 1
Don't we have fun now?
Dm
G
Well, you wind up in that
C
old debate
That's because you've
got a one -track mind
Am
Dm
But before you slam that door
C
Am
Dm
G
I'm gonna ask you, beg you,
G
plead with you just once more
Remove your foot from that door,
Dm
I'm slammin'!
C
Dm
Am
Can I come in for a second,
Dm
just a second,
G
C
Dm
Am
can I come in for a second,
Dm
G
C
if I promise I'll go home
G
C
Dm
C
The whole night long you just reckoned,
Am
Dm
G
C
you just reckoned, you just reckoned
Dm
Am
I'd let you come in for a second,
Dm
G
C
F
C
before I met you wrong.
F
All I want is just a kiss,
Am
Dm
C
if you'll put your heart in
That's the only way I kiss.
F
C
And after all, dear,
Am
what can happen in the
Dm
F
G
sixtieth part of a minute?
C
Are you kidding?
Dm
C
Can I come in for a second?
Am
Dm
No. Just a second?
G
C
No. A second?
Am
C
Dm
C
Can I come in for a second
Am
Dm
G
C
if I promise I'll go home?
Dm
F
G
C
Am
You know, Nelly,
Dm
it's kind of cool out here.
G
Why don't you let me
C
in just for a few moments
Dm
to kind of warm up a bit?
G
C
You think it's cool out here?
Am
Dm
Wait till you get inside.
G
C
You know, we haven't
had heat for so long,
G
F
we are all wearing
Dm
overcoats. What?
C
Am
Dm
And besides, my father is a creeper,
G
C
a light sleeper, and a peeper.
Dm
You mean a peeping time?
G
Well, first of all,
C
let's re view this situation
because, you see,
Dm
G
C
I have a lot of investments to consider.
F
You know, we went to
C
the Bijou Theater
and we saw a triple feature
Am
Dm
with Hopalong Cassidy.
G
Then we went to a bar,
C
I mean a snack bar,
Am
and from there I brought
Dm
you home in a taxi.
G
C
If that wasn't a bus,
Am
Dm
G
huh, it's the biggest taxi I've ever seen. And
C
F
your investment should be in that fifty cents.
G
C
F
Well, I'd spend a dollar
C
if I'd spend a nickel.
G
How do you sound?
Dm
G
Well, gosh, I don't know what to do.
Dm
F
All I want is just a kiss,
Adim
F
if you'll put your
G
E
heart in it.
Am
And after all, dear,
Dm
what can happen in the sixtieth
F
G
part of a minute?
How naive!
C
Dm
C
You may come in for a second.
Am
Oh, wow!
Dm
For a second. I'm gay!
G
C
Just for a second.
Touchdown!
Dm
Am
You may come in for a second,
Dm
G
C
if you'll promise you'll go.
Am
Dm
Well, good night,
G
C
Am
Dm
G
C
fellas. I'm in.
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AccordeurE A D G B E
AccordsC Am Dm G F...
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