Tonalité : C major
Verse 1
G
C
G
Were songs made to make money?
Dm
G
Or were songs made to sing?
Dm
G
That question ran around my head
C
Till I met Bill Moline
His strings were old, his guitar cracked
Dm
F
Along most every scene
G
And the only hit he ever had
F
Was on the baseball team
C
Two fingers on his picking hand
F
were black and blue and sore
G
He'd accidentally slammed them
F
Am
inside the pickup door
Gm
F
Were songs made to make money?
Em
A
Or were songs made to sing?
Dm
That question ran around my head
G
until I met Bill Muldeen
C
I don't think I was real to him,
F
I was a face on a record jacket
G
He hemmed and hawed
and he strummed a chord
F
C
and looked like he couldn't hack it
His dad asked in a gentle voice
F
if he'd play a song I wrote
G
I smiled, but I never thought
F
Am
I'd even hear a note
Gm
F
Were songs made to make money?
Em
A
Or were songs made to sing?
Dm
That question ran around my head
G
Till I met Bill Muldeen
C
But then he played it perfectly
F
And he didn't miss a word
G
I swear it was the finest thing
F
that I have ever heard
C
The melody was different,
F
the chords were not the same
G
But sittin' there in his living room,
F
Am
he gave me wealth and fame
Gm
F
Were songs made to make money,
Em
A
or were songs made to sing?
Dm
That question ran around my head,
G
till I met Bill Mouldeen.
C
And now I'm back in Nashville,
F
the commercial music scene.
G
The first song that I'm writin'
F
C
Is just for Bill Molyneux
Were songs made to make money
F
Or were songs made to sing?
G
That question ran around my head
F
Till I met Bill Molyneux
C
Were songs made to make money
F
Or were songs made to sing?
G
That question ran around my head
F
Till I met Bill Moline
C
Oh, songs made to make money
F
Oh, songs made to sing
G
That question ran around my head
F
Till I met Bill Moline
C
Oh, songs made to make money
F
Oh, songs made to sing
G
That question ran around my head
F
Till I met Bill Moly
C
Songs made to make money
F
Songs made to sing
G
That question ran around my head
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AccordsG C Dm F Am...
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