Tonalité : F major•
Verse 1
F
C
F
C
F
C
F
C
Well,
F
C
excuse me.
F
Have you always been so rude?
C
Mind your step or you may
F
C
end up being sued.
Bb
C
Agree this bodily harm to me,
Bb
C
in tentional or not.
Bb
C
But though you hardly notice me,
G
C
I'm the only me I've got.
F
Well, excuse me.
Yes, I'm talking to you.
C
F
Come down here,
I'm not talking to your shoe.
C
Bb
B
F
And if you can spare the time of day,
Bb
a minute or two or three,
F
Bb
F
you just might learn a thing or two
about you and me.
Dm
F
Bb
Because an inside view of the world
F
is something you don't
Bb
F
C
Dm
see every day.
F
Dm
F
Bb
An d an inside view of the world
F
Dm
F
G
is quite unique in it s own way.
B
Gm
So what do you think,
Dm
G
for a day or two,
Baug
Bb
Dm
G
F
you can be me, and I'll be you,
Em
Dm
C
and then you'll see an in
Bb
F
C
F
side view of me.
Ooh, so this is what it's like up here.
How about a bit of abseiling, baby?
Well, excuse me, how does it feel, my friend,
to be down there now,
on the receding end,
C
Bb
F
with me as tall as you were once,
Bb
F
and you as small as me?
C
Bb
F
Speak up, I'd like to know
just what you think of what you see,
Dm
F
Bb
cause an and -side view of the world
F
C
F
Bb
F
is something you don't see every day.
Dm
F
Dm
Bb
An d an and -side view of the world
F
E
Dm
F
is quite unique in it s own way.
C
Gm
F
So what do you think?
Baug
Tell me true.
Bb
G
F
Now you're me, and I am you.
Dm
Bb
And you can see an and
F
C
F
C
F
-side view of me.
Hey! Watch out down there!
I might step on you!
Ooh, it's beautiful up here, yes, oh dear!
I don't know if I want to come down.
I don't know if I want to be there again.
I think I want to be you,
and you can be me.
Come on now.
C
F
Oh, oh, I nearly stepped on you.
Oh dear, I'm sorry.
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