Tonalité : F major
Verse 1
D
E
A
D
Mr. Rembrandt needed
a piece of canvas
before he could paint a thing.
F
Bb
F
Benvenuto Cel lini needed a chisel
Bb
F
before he could start sculpturing.
F#
And trouble needs a great
Bm
piano player
F#
before she can start to sing.
B
A
Helen, stop worrying.
I'm here.
B
Go ahead, let your voice start to ring.
E
Jimmy, can you play piano
like Rubenstein
and José Iturbi?
I'm even better. Can José Iturbi
Cdim
play this?
Gdim
E
B
Or this? Or this? Or this? Or this? this?
E
Or this? this? this? this?
Ah, José, make way for Nosey.
D#dim
B
Why, Jimmy, you're sensational.
E
B
E
What are we waiting for, let's go,
A
cause it's a thrill,
when the real piano player
B
sits down at the key.
E
It makes me weak in the
B
Bm
E
A
E
knees to hear him.
A
What a kick,
when the real piano player
B
starts to tinkle away.
E
It makes my voice light and gay,
A
E
when he goes...
A
I'm completely gone, I'm beside myself.
D
I can understand your bliss.
B
Don't get it tired at Helland.
Compose yourself.
E
F#
E
But Horowitz was never like this.
Listen to this.
A
B
F#
B
I never took a lesson in my life.
Hear those harmonies
A
D
You know, this is very tiring
Dm
I play with all my might
D
A
Here's a dollar,
F#
kid, don't stop
B
E
A
Keep playing all night, cause it's a thrill
When the real piano player
B
E
A
sits down and plucks his
What a technique
Bm
D
A
B
Look at the way he uses his pinky
F#
Why, you're marvelous,
you're wonderful
B
Jimmy, I've got goose pimples
E
Jimmy, stop it! Stop it! Please, stop!
I'm only human.
F#
Sorry, I show no mercy.
B
Jimmy, that's wonderful,
E
but can you play Bill Bailey?
A
Indubitably!
D
Won't you come home,
Bill Bailey?
Won't you come home?
A
I've mourned the whole day long.
Your Grace!
I'll do the cooking, darling.
I'll pay the rent.
D
I know I've done you wrong.
You're going places!
Remember that rainy evening
I drove you out with nothing but
G
a fine tooth comb.
Stupendous!
Bdim
I know I'm to blame,
B
now it is a shame.
E
A
But baby, won't you please
D
C
F
come home?
Oh...
C
You said it.
You ought to be singing an opera.
F
And I'll get you there.
A
Keep go ing, boy, let's hear that beat!
D
Make that old Diana smolder with glee!
Bm
B
She can't resist us!
Just look at her shake!
Take the break!
Wait a minute!
Wait a minute!
Wait a minute!
E
A
I'm working here, too!
D
Paderewski, I toby!
Dm
What guys I admire!
A
Forget them all.
F#
Name your price.
B
Jimmy, you're hired.
E
A
Now what a thrill,
when a real piano player
B
E
sits down at the key.
A
F#
B
E
A
D
Yes, sir, when he sits down at the key.
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AccordeurE A D G B E
AccordsD E A F Bb...
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