Tonalité : C minor
Intro 1
B5
F
B5
F
B5
F
B5
F
B5
F
B5
F
B5
F
B5
F#
Verse 1
B5
F
B5
ping, dividing flesh
F
B5
F
B5
Hammer waits for the en emy
F
B5
F
B5
Laying, waiting, silent an d tried
F
B5
F
Strip wires in the sound
B5
of broken spine
G
C
Passing through blasting gates,
F#5
F#
cast from a centered face
B5
G
Before the night is day,
C
B
F#
F#5
F#
B5
into the darkest maze
G
Defiled by all the fear,
C
F#5
F#
starving to reappear
B5
G
Deep in the final hours
C
F#
F#5
F#
D5
They come to de vour
F
B5
F
B5
F
B5
F
B5
F
B5
F
B5
F
B5
F
B5
F#
F
B5
F
B5
Back from the seventh war
F
B5
Bringing home the
F
B5
ghosts of paramour
F
B5
F
B5
A slain shrapnel in a fiery haze
F
B5
Metal pieces spraying all
through the gates
G
Blasting through blasting gates
C
F#5
F#
Cast from a centi pede
B5
G
Be fore the night is day
C
B5
F#5
F#
Into the darkest page
B
B5
G
Defiled by all who fear
C
F#5
F#
Summoned to reappear
B5
G
Deep in the final hours
C
F#5
B5
C
B5
C
They come to devour
D
E
Preformed metal fragments
Em
E
G
of selected shapes and sizes
A
F#
are shot out by the black
F#5
s at a high velocity
over a predetermined arc,
G
sometimes described as the
A5
F#5
military equivalent
of a sawed -off shotgun.
The widely copied American M18
Em
F#
Em
Claymore mine con
G
tains 700 steel balls,
and can kill targets
A5
F#5
Em
G
F
B5
F
Up to 50 meters away
B5
F
B5
F
B5
F
B5
F
B5
F
B5
F
B5
F
B5
Ripping, dividing flesh
F
B5
F
B5
Hell awaits for the en emy
F
B5
F
B5
Laying, waiting, silent and tried
F
B5
F
Strip wires to the sound
B5
of broken spines
G
Passing through blasting gates
C
F#5
F#
Cast from a center phase
B5
G
Before the night is day
C
F#
F#5
F#
Into the darkest phase
B5
G
Defiled by all who fear
C
F#
Stomping to reappear
B5
G
Deep in the final hours
C
F#
F#5
F#
They come to de vour
E5
F
B5
F
B5
F
B5
F
B5
F
B5
F
B5
F
B
F#
E
F
B5
F
B5
F
B5
F#
F
B5
F
B5
F
B5
F
B5
G
Passing through blasted
gates,
C
F#
cast from a sanded face
B5
G
Before the night is day,
C
F#
F#5
F#
into the darkest fate
B5
G
C
Defiled by all the fear,
F#
summoned to reappear
E
G
Deep in the final hours
C
F#
They call to devour
Outro 1
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