Tonalité : Eb major
Verse 1
C#m
C#
A
G#m
C#
A#m
That sweet expression,
D#
G#m
C#aug
C#
the smile you gave me
C#m
It's easy to remember,
F#sus4
F#sus4
Voir le diagramme détaillé de l'accord F#sus4 dans notre application.
Ouvrir dans l’applicationGdim
F#
B
or is it?
E
A poetic jazz member
A#m
D#
It's March, of 1963
G#m
C#m
In mid- morning, New Jersey
C#
A#m
Two musicians drive through the snow bound,
suburban landscape
C#aug
D#
A
On their way to a recording session
D
Verse 2
C#sus4
C#sus4
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Ouvrir dans l’applicationOne,
C#
an intensely dedicated musical explorer
F#
Has, of late, been studying
A
the way singers breathe
G#m
C#sus4
C#sus4
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Ouvrir dans l’applicationC#
And hopes he would hear Frank
C#aug
Sinatra on the radio
C#
so he can consider one more
E
F#
no tion before the session
Bm
The other,
E
Bm
an experienced song stylist
B
F#
E
Wonders whether he will ever hear his own
A#m
D#
G#m
voice over the airways
C#
F#
The two men met only last week and have
only played a few pieces together
Daug
D
The singer sitting in informally
Verse 3
C#m
F#
at Club Manhattan
The singer is a little concerned
B
that the band was gonna break
G#m
Into some of the wild stuff
C#m
he's heard them play
But the band leader,
G
F#
the gentle and positive man
B
Will be going for something altogether
different on this occasion
E
Bm
Something wholly sympathetic to
E
A
the sound the singer has
Verse 4
D
A
G#
The two were joking and smoking and
G#dim
Talking about the songs
F#
they will record today
G#
C#
C#sus4
C#sus4
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Ouvrir dans l’applicationThey carry no chats,
F#
C#
F#
A
and have made no formal musical arrangements
Or even had a real rehearsal
G#m
Everyone at the session will know
C#
the tunes already
Each man having performed them,
Bbm
in a hundred different countries
Eb
No one at the session will need to
G#m
C#
be told what to do or what to play
C#aug
F#m
The band is so well acquainted that
Verse 5
C#m
any move that need to be established
Gdim
B
Will come naturally
Eb
As the cats in the car talk
B
about what is to come
F#
Over the car's radio comes Nat Cole
E
Bm
E
singing 'Lush Life'
Now he who doesn't know
all the words
C#aug
Out of fun the singer joins in any way
Bbm
Eb
And the two add one more tun
G#m
C#
E
e to the said list
Verse 6
E
When they got to the studio, they end
Eb
up recording it in one take
In fact, they do everything
in one take
Bm
Almost the entire record except
F#
'You are too beautiful'
D
Where they do a second take because of
G#dim
G#m
C#sus4
C#sus4
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Ouvrir dans l’applicationa dropped drum stick
C#
In three or four hours they are done
C#m
E
F#sus4
F#sus4
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Ouvrir dans l’applicationLaughter, handshakes a long drive
Verse 7
home
Bm
Just a year or so later,
A
D
John Coltrane will go onto the highest artistic peaks
G#m
Leading the same band in the creation of
C#
'Crescent' and 'A love supreme'
E
Arguably the de fining
F#
works of his career
B
E
F#
And among the most beloved and respected
Eb
Gdim
in the history of recorded music
Eb
C#
Although Johnny Hartman will go on to make
A
F#
some great Ballard records after this one
C#aug
Eb
Including some attempting to echo the magic
of the one he makes with strings
Verse 8
G#m
Most go unnoticed upon their release
C#
C#sus4
C#sus4
Voir le diagramme détaillé de l'accord C#sus4 dans notre application.
Ouvrir dans l’applicationBroad fame will elude Hartman
C#
F#
until well after this death
A
G
A
G#m
But we remember them both
C#
We're Jazz people
F#
And for us, it's easy
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