Tonalité : Eb major
Verse 1
Cm
C
Ab
Gm
C
Am
That sweet expression,
D
Gm
Caug
C
the smile you gave me
Cm
It's easy to remember,
Fsus4
F#dim
F
Bb
or is it?
Eb
A poetic jazz member
Am
D
It's March, of 1963
Gm
Cm
In mid- morning, New Jersey
C
Am
Two musicians drive through the snow bound,
suburban landscape
Caug
D
Ab
On their way to a recording session
Db
Verse 2
Csus4
One,
C
an intensely dedicated musical explorer
F
Has, of late, been studying
Ab
the way singers breathe
Gm
Csus4
C
And hopes he would hear Frank
Caug
Sinatra on the radio
C
so he can consider one more
Eb
F
no tion before the session
Bbm
The other,
Eb
Bbm
an experienced song stylist
Bb
F
Eb
Wonders whether he will ever hear his own
Am
D
Gm
voice over the airways
C
F
The two men met only last week and have
only played a few pieces together
Dbaug
Db
The singer sitting in informally
Verse 3
Cm
F
at Club Manhattan
The singer is a little concerned
Bb
that the band was gonna break
Gm
Into some of the wild stuff
Cm
he's heard them play
But the band leader,
F#
F
the gentle and positive man
Bb
Will be going for something altogether
different on this occasion
Eb
Bbm
Something wholly sympathetic to
Eb
Ab
the sound the singer has
Verse 4
Db
Ab
G
The two were joking and smoking and
Gdim
Talking about the songs
F
they will record today
G
C
Csus4
They carry no chats,
F
C
F
Ab
and have made no formal musical arrangements
Or even had a real rehearsal
Gm
Everyone at the session will know
C
the tunes already
Each man having performed them,
Am
in a hundred different countries
D
No one at the session will need to
Gm
C
be told what to do or what to play
Caug
Fm
The band is so well acquainted that
Verse 5
Cm
any move that need to be established
Gbdim
Bb
Will come naturally
D
As the cats in the car talk
Bb
about what is to come
F
Over the car's radio comes Nat Cole
Eb
Bbm
Eb
singing 'Lush Life'
Now he who doesn't know
all the words
Caug
Out of fun the singer joins in any way
Am
D
And the two add one more tun
Gm
C
Eb
e to the said list
Verse 6
Eb
When they got to the studio, they end
D
up recording it in one take
In fact, they do everything
in one take
Bbm
Almost the entire record except
F
'You are too beautiful'
Db
Where they do a second take because of
Gdim
Gm
Csus4
a dropped drum stick
C
In three or four hours they are done
Cm
Eb
Fsus4
Laughter, handshakes a long drive
Verse 7
home
Bbm
Just a year or so later,
Ab
Db
John Coltrane will go onto the highest artistic peaks
Gm
Leading the same band in the creation of
C
'Crescent' and 'A love supreme'
Eb
Arguably the de fining
F
works of his career
Bb
Eb
F
And among the most beloved and respected
D
Gbdim
in the history of recorded music
D
C
Although Johnny Hartman will go on to make
Ab
F
some great Ballard records after this one
Caug
D
Including some attempting to echo the magic
of the one he makes with strings
Verse 8
Gm
Most go unnoticed upon their release
C
Csus4
Broad fame will elude Hartman
C
F
until well after this death
Ab
Gb
Ab
Gm
But we remember them both
C
We're Jazz people
F
And for us, it's easy
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