Tonalité : Eb major
Verse 1
F#m
F#
D
C#m
F#
D#m
That sweet expression,
G#
C#m
F#aug
F#
the smile you gave me
F#m
It's easy to remember,
Bsus4
Cdim
B
E
or is it?
A
A poetic jazz member
D#m
G#
It's March, of 1963
C#m
F#m
In mid- morning, New Jersey
F#
D#m
Two musicians drive through the snow bound,
suburban landscape
F#aug
G#
D
On their way to a recording session
G
Verse 2
F#sus4
F#sus4
Voir le diagramme détaillé de l'accord F#sus4 dans notre application.
Ouvrir dans l’applicationOne,
F#
an intensely dedicated musical explorer
B
Has, of late, been studying
D
the way singers breathe
C#m
F#sus4
F#sus4
Voir le diagramme détaillé de l'accord F#sus4 dans notre application.
Ouvrir dans l’applicationF#
And hopes he would hear Frank
F#aug
Sinatra on the radio
F#
so he can consider one more
A
B
no tion before the session
Em
The other,
A
Em
an experienced song stylist
E
B
A
Wonders whether he will ever hear his own
D#m
G#
C#m
voice over the airways
F#
B
The two men met only last week and have
only played a few pieces together
Gaug
G
The singer sitting in informally
Verse 3
F#m
B
at Club Manhattan
The singer is a little concerned
E
that the band was gonna break
C#m
Into some of the wild stuff
F#m
he's heard them play
But the band leader,
C
B
the gentle and positive man
E
Will be going for something altogether
different on this occasion
A
Em
Something wholly sympathetic to
A
D
the sound the singer has
Verse 4
G
D
C#
The two were joking and smoking and
C#dim
Talking about the songs
B
they will record today
C#
F#
F#sus4
F#sus4
Voir le diagramme détaillé de l'accord F#sus4 dans notre application.
Ouvrir dans l’applicationThey carry no chats,
B
F#
B
D
and have made no formal musical arrangements
Or even had a real rehearsal
C#m
Everyone at the session will know
F#
the tunes already
Each man having performed them,
Ebm
in a hundred different countries
Ab
No one at the session will need to
C#m
F#
be told what to do or what to play
F#aug
Bm
The band is so well acquainted that
Verse 5
F#m
any move that need to be established
Cdim
E
Will come naturally
Ab
As the cats in the car talk
E
about what is to come
B
Over the car's radio comes Nat Cole
A
Em
A
singing 'Lush Life'
Now he who doesn't know
all the words
F#aug
Out of fun the singer joins in any way
Ebm
Ab
And the two add one more tun
C#m
F#
A
e to the said list
Verse 6
A
When they got to the studio, they end
Ab
up recording it in one take
In fact, they do everything
in one take
Em
Almost the entire record except
B
'You are too beautiful'
G
Where they do a second take because of
C#dim
C#m
F#sus4
F#sus4
Voir le diagramme détaillé de l'accord F#sus4 dans notre application.
Ouvrir dans l’applicationa dropped drum stick
F#
In three or four hours they are done
F#m
A
Bsus4
Laughter, handshakes a long drive
Verse 7
home
Em
Just a year or so later,
D
G
John Coltrane will go onto the highest artistic peaks
C#m
Leading the same band in the creation of
F#
'Crescent' and 'A love supreme'
A
Arguably the de fining
B
works of his career
E
A
B
And among the most beloved and respected
Ab
Cdim
in the history of recorded music
Ab
F#
Although Johnny Hartman will go on to make
D
B
some great Ballard records after this one
F#aug
Ab
Including some attempting to echo the magic
of the one he makes with strings
Verse 8
C#m
Most go unnoticed upon their release
F#
F#sus4
F#sus4
Voir le diagramme détaillé de l'accord F#sus4 dans notre application.
Ouvrir dans l’applicationBroad fame will elude Hartman
F#
B
until well after this death
D
C
D
C#m
But we remember them both
F#
We're Jazz people
B
And for us, it's easy
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AccordsF#m F# D C#m D#m...
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